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Hog-tied and Bled Dry
1996

mezzo-soprano
2 pan-pipes
alto saxophone
tenor saxophone
3 synthesizers
marimba
electric guitar
electric bass guitar

duration 8'

SCORE

TEXT
The Scapegoat
A scapegoat is what we need.
What is this scapegoat to be? Will it be
iridescent, feathered? A grunt
on the hoof? Will it be flesh
and knowledge? Whatever the squealing thing is
which must be hogtied and bled dry and smoked,
let it come now. For we do most desperately need a scapegoat.
The Jew would do; but he is used up.
The nigger won't do. He has no goat. The queer is nearly 
perfect, but too dispersed;
and there aren't enough.
Women? No. Too many to blame; and anyway
many of them are Us.
We need a goat that will fit the flame of our daily roast more neatly.
And if we do not find this scapegoat soon we shall go insane.
And if we go insane, again,
we'll slit each other, from here to here, and hallucinate
spiders of blood in our beer;
and that wouldn't do. Besides,
that's the scapegoat's fate. We must take the intensity
of the hate we feel as proof of God's will; and cooperate.
Please do not donate your sacred cow.
We must get one thing straight:
this is no charity; this is the slaughter of fear.
We must root out from our minds these last two decades
of polarization, and sexual violence, and political corruption,
and national self-doubt, and
you name it, pal. I can see it now. A scapegoat
whose wounds the bayonet fits
like a tongue does a mouth.
Who screams in a gibberish language. Like, say.
Arabic, Atheist, Art.
We must name the fiend Fiend and then root the fiend out.
Or the boat that's been rocked might sink.
One more assassination might do it. One more rape.
Name your Top Ten, and from these a panel will choose.
The pornographer. The pederast. The fetus. The nude.
Who is this scapegoat to be? Maybe
you? Spread your legs. Wider. Bend over. Moo. 

Stan Rice (b.1942)